Roy’s World

In one of his characteristically humorous and self-effacing autobiographical stories, Roy Rosenzweig recounted the uneasy feeling he had when he was working on an interactive CD-ROM about American history in the 1990s. The medium was brand new, and to many in academia, superficial and cartoonish compared to a serious scholarly monograph. Roy worried about how his […]

Some Thoughts on the Hacking the Academy Process and Model

I’m delighted that the edited version of Hacking the Academy is now available on the University of Michigan’s DigitalCultureBooks site. Here are some of my quick thoughts on the process of putting the book together. (For more, please read the preface Tom Scheinfeldt and I wrote.) 1) Be careful what you wish for. Although we […]

What Should Scholarly Society Meetings Look Like in the 2010s?

Unlike some of my blog post titles, this one really is a question. What do you think they should look like? I ask because I am now on the program committee for the American Historical Association and this Saturday we begin planning for the January 2012 meeting. Committee members are encouraged to bring five “panel […]

Introducing Digital Humanities Now

Do the digital humanities need journals? Although I’m very supportive of the new journals that have launched in the last year, and although I plan to write for them from time to time, there’s something discordant about a nascent field—one so steeped in new technology and new methods of scholarly communication—adopting a format that is […]

The Spider and the Web: Results

A couple of weeks ago at the Digital Dilemmas Symposium in New York I tried something new: using Twitter to replicate digitally the traditional “author’s query,” where a scholar asks readers of a journal for assistance with a research project. I believe the results of this experiment are instructive about the significant advantages—and some disadvantages—for […]

Items of Interest for June 12, 2008

Jeremy Boggs continues his series on the “Digital Humanities Design and Development Process” with a detailed post explaining his design principles, and showing how he developed compelling design elements like the logo for Omeka. One of the things we’ve learned at the Center for History and New Media over the last 15 years is that […]

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