Enhancing Historical Research With Text-Mining and Analysis Tools

I’m delighted to announce that beginning this summer the Center for History and New Media will undertake a major two-year study of the potential of text-mining tools for historical (and by extension, humanities) scholarship. The project, entitled “Scholarship in the Age of Abundance: Enhancing Historical Research With Text-Mining and Analysis Tools,” has just received generous […]

Journal of American History Interchange on Digital History

Starting today and running for the next month, I’ll be joining a half-dozen other professors in a discussion on the Journal of American History website on the promise and challenges of digital history. It’s great that the JAH is providing this forum and publishing the results in their September 2008 issue. I’m hoping they’ll open […]

MacEachern and Turkel, The Programming Historian

Bill Turkel, the always creative mind behind Digital History Hacks (logrolling disclosure: Bill is a friend of CHNM, a collaborator on various fronts, and was the thought-provoking guest on Digital Campus #9; still, he deserves the compliments), and his colleague at the University of Western Ontario, Alan MacEachern, are planning to write a book entitled […]

Using New Technologies to Explore Culture Heritage Conference

Following a nice evening at the Italian Embassy, the conference “Using New Technologies to Explore Cultural Heritage,” jointly sponsored by the National Endowment for the Humanities and the Consiglio Nazionale delle Ricerche (CNR, Italy’s National Research Council), kicked off at the headquarters of the NEH in Washington. Sessions included “Museums and Audiences,” “Virtual Heritage,” “Digital […]

The Artistic and the Digital

Roy Rosenzweig and I begin our book Digital History with a list of the advantages and disadvantages of digital media and technology for the practice of history. The “dangers or hazards” include questions about quality, durability, readability, passivity, and inaccessibility. Although scholars in the humanities fret about these hazards, my experience at several art meccas […]

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